John Fahey's 'The Transcendental Waterfall (2)' came out on February 10, 2017. With this song being about 5 minutes long, at 5:09, "The Transcendental Waterfall (2)" by John Fahey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Your Past Comes Back To Haunt You: The Fonotone Years [1958-1965] by John Fahey. The song's track number on the album is #17 out of 115 tracks. In terms of popularity, The Transcendental Waterfall (2) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since The Transcendental Waterfall (2) by John Fahey has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Transcendental Waterfall (2) being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bertie Mae's Chilly Winds | Nora Brown | F Major | 1 | 7B | 88 BPM | ||
It Is So Nice to Get Stoned | Ted Lucas | F♯ Major | 2 | 2B | 140 BPM | ||
Partly on Time | Kinloch Nelson | G Major | 2 | 9B | 176 BPM | ||
A Norman Soldier | Mark Fry | D♭ Major | 3 | 3B | 135 BPM | ||
Wolf | Antonia Lamb | E Minor | 9 | 9A | 167 BPM | ||
Everything Ends | Glenn Jones | E Minor | 2 | 9A | 108 BPM | ||
Fishing Blues | Henry Thomas | B Major | 3 | 1B | 151 BPM | ||
Anyway | Jimmy Carter and Dallas County Green | C Major | 4 | 8B | 77 BPM | ||
My Grandfather's Clock | John Fahey | G Major | 4 | 9B | 95 BPM | ||
Wine Song | Robbie Basho | A Minor | 2 | 8A | 137 BPM |
Section: 0.5763509273529053
End: 0.5796968936920166