- BPM
- 100
- Key
- E Major
- Camelot
- 12B
The English Dance Master, Part I: The English Dance Master, Part I: No. 37. Greensleeves - John Playford, Wolfgang Katschner, Lautten Compagney Information
- Acousticness
- 98%
- Danceability
- 22%
- Energy
- 2%
- Instrumentalness
- 89%
- Liveness
- 10%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 35%
- Popularity
- 6%
- Loudness
- -27.979 dB
Summary
John Playford, Wolfgang Katschner, Lautten Compagney's 'The English Dance Master, Part I: The English Dance Master, Part I: No. 37. Greensleeves' came out on 2005. With The English Dance Master, Part I: The English Dance Master, Part I: No. 37. Greensleeves being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 31 in Chamber Music (English Baroque) - Playford / Ravenscroft / Matteis / Purcell/ [Lautten Compagney, Katschner] by Lautten Compagney, Wolfgang Katschner. In terms of popularity, The English Dance Master, Part I: The English Dance Master, Part I: No. 37. Greensleeves is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The English Dance Master, Part I: The English Dance Master, Part I: No. 37. Greensleeves BPM
The tempo marking of The English Dance Master, Part I: The English Dance Master, Part I: No. 37. Greensleeves by John Playford, Wolfgang Katschner, Lautten Compagney is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The English Dance Master, Part I: The English Dance Master, Part I: No. 37. Greensleeves Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tarantelas | Santiago De Murcia, Paul O'Dette, Pedro Estevan, Steve PLAYER, Pat O'Brien, Andrew Lawrence-King | D Minor | 1 | 7A | 87 BPM | |
 | Parson's farewell | Elthin, Roxane Genot, Jan Pouska, John Playford | G Major | 1 | 9B | 72 BPM | |
 | In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | |
 | Susato: 12 Dances from the Danserye: III. Ronde and Salterelie | Tylman Susato, David Munrow | F Major | 2 | 7B | 112 BPM | |
 | Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | |
 | J'aim sans penser | Guillaume de Machaut, Randall Cook, Emmanuel Bonardot, Dominique Vellard, Pierre Hamon, Brigitte Lesne | E♭ Minor | 3 | 2A | 147 BPM | |
 | Confesse | John Playford, Ensemble Buon tempo | E Major | 2 | 12B | 155 BPM | |
 | Si abra en este baldres | Juan del Encina, Accentus Ensemble, Thomas Wimmer | F Major | 3 | 7B | 83 BPM | |
 | A l'eure que ie vous | Josquin des Prez, Harmonia Recorder Ensemble | C Major | 0 | 8B | 69 BPM | |
 | Pavan | Orlando Gibbons, The Rose Consort Of Viols | F♯ Major | 1 | 2B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6196730136871338
End: 0.6237530708312988