Sigurd Bjorling, Arne Ohlson made "Otello: Inaffia L´ugola" available on November 16, 2009. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 46 in the song's album "Otello Stockholm 1953/54". In this album, this song's track order is #5. Based on our statistics, Otello: Inaffia L´ugola's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Otello: Inaffia L´ugola by Sigurd Bjorling, Arne Ohlson having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Horn Concerto No. 2 in E Flat Major, TrV. 283: Allegro | Richard Strauss, Ronald Janezic, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 77 BPM | ||
A Symphonic Mass: I. Kyrie | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus | G Major | 3 | 9B | 131 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre de Paris | E♭ Major | 0 | 5B | 70 BPM | ||
Shimmering Fancy | Bonn Classical Philharmonic | D Minor | 0 | 7A | 138 BPM | ||
Suomalainen sarja (Finnish Suite) in D Minor, Op. 10: III. Scherzo | Ernst Mielck, Ylioppilaskunnan Soittajat, Mikk Murdvee | D Major | 1 | 10B | 131 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Ist ein Traum, kann nicht wirklich sein" - "Spür nur dich" | Richard Strauss, Helen Donath, Yvonne Minton, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 94 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (c) Allegro assai vivace. "Froh, froh, wie seine Sonnen" | Ludwig van Beethoven, Otto Klemperer, The Philharmonia Chorus, Waldemar Kmentt, Philharmonia Orchestra | B♭ Major | 4 | 6B | 122 BPM | ||
Nabucco: Entry Chorus 'Gli arredi festivi giu candano infranti' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht" | Franz Schubert, Gewandhausorchester, Kurt Masur, MDR Leipzig Radio Chorus | G Major | 0 | 9B | 85 BPM | ||
Tarentelle, Op. 49 | Gabrielle Ferrari, Agathe Peyrat, Raphaëlle Moreau, Célia Oneto Bensaid | D Major | 3 | 10B | 125 BPM |
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