Louis-Gabriel Guillemain, Isabelle Faust's 'Amusement pour le violon seul, Op. 18: Variatione' came out on October 20, 2023. The duration of Amusement pour le violon seul, Op. 18: Variatione is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Amusement pour le violon seul, Op. 18: Variatione's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Solo: Matteis - Pisendel - Biber - Guillemain - Vilsmayr". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. In terms of popularity, Amusement pour le violon seul, Op. 18: Variatione is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Amusement pour le violon seul, Op. 18: Variatione by Louis-Gabriel Guillemain, Isabelle Faust having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veinte Estudios Artísticos de Concierto para Violín Con Acompañamiento de un Segundo Violín: 1º Cuaderno: I. Estudio Melódico y del Saltillo | Jesús De Monasterio, Manuel Guillén, Pablo Suarez | E♭ Major | 1 | 5B | 95 BPM | ||
Mystery (Rosary) Sonata: No. 5 in A Major “The Finding of Jesus in the Temple”: IV. Saraban – Double | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
6 Sonates meleese de pieces, Op. 2: V. Sonata in D major "La Chauvet”: VI. Gavotta "La Dedale" | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A♭ Major | 0 | 4B | 119 BPM | ||
Sonata in E Minor, No. 8: III. Sarabanda: Largo | Arcangelo Corelli, François Fernandez, Glen Wilson | A♭ Minor | 3 | 1A | 122 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata No. 1 in A Major: III. 03 3. Andante | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Allegro in A Major | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 90 BPM | ||
Sonata for Violin and Basso Continuo in G Major, GWV 707: I. Andante | Christoph Graupner, Naomi Dumas, Caitlyn Koester | E♭ Minor | 1 | 2A | 109 BPM | ||
Ouvertures and Trio Sonatas, Op. 13, Sonata No. 2 in B Minor: III. Largo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | F♯ Major | 1 | 2B | 98 BPM |
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