Frédéric Chopin, Ezio Bosso made "Preludio Op. 28 No. 20 "The Dark Room" - Edit Version" available on January 27, 2017. The duration of Preludio Op. 28 No. 20 "The Dark Room" - Edit Version is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Preludio Op. 28 No. 20 "The Dark Room" - Edit Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The 12th Room". In this album, this song's track order is #4. Based on our statistics, Preludio Op. 28 No. 20 "The Dark Room" - Edit Version's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Preludio Op. 28 No. 20 "The Dark Room" - Edit Version by Frédéric Chopin, Ezio Bosso having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Istanbul | Remo Anzovino | D Minor | 2 | 7A | 138 BPM | ||
Debussy : La Plus que lente | Claude Debussy, James Rhodes | E♭ Minor | 0 | 2A | 68 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Split, Postcards from Far Away - Re-Recorded Version | Ezio Bosso | E Minor | 2 | 9A | 65 BPM | ||
Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Axel Gillison | E Major | 0 | 12B | 72 BPM | ||
Nocturne in C Sharp | Frédéric Chopin, Robin Smith, HAUSER, Robert Ziegler, London Symphony Orchestra | F♯ Minor | 3 | 11A | 85 BPM | ||
Underwood | Ludovico Einaudi, Daniel Hope | F♯ Minor | 0 | 11A | 79 BPM |
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