Preludio Op. 28 No. 20 "The Dark Room" - Edit Version
Frédéric Chopin, Ezio Bosso
The 12th Room
2:06 January 27, 2017
BPM
134
Key
A♭ Major
Camelot
4B

Embed

Share Link

Preludio Op. 28 No. 20 "The Dark Room" - Edit Version - Frédéric Chopin, Ezio Bosso Information

Acousticness
98%
Danceability
61%
Energy
0%
Instrumentalness
93%
Liveness
9%
Loudness
63%
Speechiness
59%
Valence
46%
Popularity
Loudness
-22.178 dB

Summary

Frédéric Chopin, Ezio Bosso made "Preludio Op. 28 No. 20 "The Dark Room" - Edit Version" available on January 27, 2017. The duration of Preludio Op. 28 No. 20 "The Dark Room" - Edit Version is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Preludio Op. 28 No. 20 "The Dark Room" - Edit Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The 12th Room". In this album, this song's track order is #4. Based on our statistics, Preludio Op. 28 No. 20 "The Dark Room" - Edit Version's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Preludio Op. 28 No. 20 "The Dark Room" - Edit Version BPM

With Preludio Op. 28 No. 20 "The Dark Room" - Edit Version by Frédéric Chopin, Ezio Bosso having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Preludio Op. 28 No. 20 "The Dark Room" - Edit Version Key

A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major by Franz Schubert, Rudolf BuchbinderSchubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat MajorFranz Schubert, Rudolf BuchbinderG Major09B135 BPM
Ständchen (From Schwanengesang, D957) by Franz Liszt, Evgeny KissinStändchen (From Schwanengesang, D957)Franz Liszt, Evgeny KissinD Major010B68 BPM
Istanbul by Remo AnzovinoIstanbulRemo AnzovinoD Minor27A138 BPM
Debussy : La Plus que lente by Claude Debussy, James RhodesDebussy : La Plus que lenteClaude Debussy, James RhodesE♭ Minor02A68 BPM
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante by Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan SternfieldCello Sonata No. 1 in D Minor, Op. 109: II. AndanteGabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan SternfieldE♭ Major15B120 BPM
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca by Modest Mussorgsky, Ivo PogorelichPictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attaccaModest Mussorgsky, Ivo PogorelichD♭ Minor012A68 BPM
Split, Postcards from Far Away - Re-Recorded Version by Ezio BossoSplit, Postcards from Far Away - Re-Recorded VersionEzio BossoE Minor29A65 BPM
Kinderszenen, Op. 15: VII. Träumerei by Robert Schumann, Axel GillisonKinderszenen, Op. 15: VII. TräumereiRobert Schumann, Axel GillisonE Major012B72 BPM
Nocturne in C Sharp by Frédéric Chopin, Robin Smith, HAUSER, Robert Ziegler, London Symphony OrchestraNocturne in C SharpFrédéric Chopin, Robin Smith, HAUSER, Robert Ziegler, London Symphony OrchestraF♯ Minor311A85 BPM
Underwood by Ludovico Einaudi, Daniel HopeUnderwoodLudovico Einaudi, Daniel HopeF♯ Minor011A79 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5848374366760254

End: 0.5883347988128662