On January 1, 1993, the song "Ain't That Good" was released by Eddie Floyd, Mavis Staples. The duration of Ain't That Good is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Ain't That Good's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Rare Stamps". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United States. Based on our statistics, Ain't That Good's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ain't That Good by Eddie Floyd, Mavis Staples having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Running Out | Mable John | C Major | 5 | 8B | 175 BPM | ||
I'll Take Her | Eddie Floyd | C Major | 5 | 8B | 124 BPM | ||
Uptight Good Man | Laura Lee | D Major | 3 | 10B | 141 BPM | ||
I'm a Good Woman | Barbara Lynn | D Minor | 3 | 7A | 128 BPM | ||
Raw Spitt | Charlie Whitehead | F Major | 7 | 7B | 101 BPM | ||
Broken Hearted Fool | Inez & Charlie Foxx | B♭ Minor | 5 | 3A | 98 BPM | ||
Keep Cool | Howard Tate | G Major | 7 | 9B | 119 BPM | ||
Mama & Papa | Earl King | A Major | 7 | 11B | 108 BPM | ||
You're Gonna Miss Me | Fontella Bass, Bobby McClure | F♯ Major | 7 | 2B | 117 BPM | ||
What Happened To The Real Me | Mavis Staples | A Minor | 7 | 8A | 90 BPM |
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