"30 Little Chorale Preludes, Op. 135a: No. 26. Was Gott tut, das is wohlgetan" by Max Reger, Martin Welzel was released on May 27, 2008. With 30 Little Chorale Preludes, Op. 135a: No. 26. Was Gott tut, das is wohlgetan being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Reger, M.: Organ Works, Vol. 8". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Hong Kong. 30 Little Chorale Preludes, Op. 135a: No. 26. Was Gott tut, das is wohlgetan is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 30 Little Chorale Preludes, Op. 135a: No. 26. Was Gott tut, das is wohlgetan by Max Reger, Martin Welzel having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Prince of Denmark's March | Jeremiah Clarke, Martin Schellenberg | D Major | 1 | 10B | 126 BPM | ||
Psalm 72 "Zijn Naam moet eeuwig eer ontvangen" - Fantasie & Fuga | Jan Zwart | G Minor | 4 | 6A | 129 BPM | ||
Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for organ) | Robert Schumann, Janos Sebestyen | F Major | 0 | 7B | 70 BPM | ||
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM | ||
Basse et Dessus de Trompette | Louis-Nicolas Clérambault, Jean Victor Arthur Guillou | D Minor | 1 | 7A | 68 BPM | ||
Prose of the Consecration (Jerusalem et Sion Filiae) | Joseph Meunier d’Haudimont, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | C Minor | 0 | 5A | 129 BPM | ||
Alas! and Did My Saviour Bleed | Andrey Jackson | F♯ Major | 0 | 2B | 71 BPM | ||
Psalm 62:1 "Mijn ziel is stil tot God, mijn Heer" - Variaties | Evert van de Veen | D Minor | 0 | 7A | 69 BPM | ||
Urkukoraali: Nyt se suuri päivä koitti | Vesa Kajava | A Major | 1 | 11B | 136 BPM | ||
Prelude for Organ | Ray Davies | E♭ Major | 0 | 5B | 66 BPM |
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