"Romeo & Juliet" by Orchestra Sinfonica di Praga was released on April 5, 2011. With this song being about 5 minutes long, at 5:22, "Romeo & Juliet" by Orchestra Sinfonica di Praga is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verona by Various Artists. The song's track number on the album is #1 out of 13 tracks. In terms of popularity, Romeo & Juliet is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Romeo & Juliet by Orchestra Sinfonica di Praga has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Romeo & Juliet being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 5, Innocence | Franz Burgmüller, The Gerst Ensemble | F Major | 0 | 7B | 84 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): VIII. Gigue | Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School | B♭ Major | 2 | 6B | 94 BPM | ||
Evening Songs, Op. 3: No. 7, Když jsem se díval do nebe | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Minor | 1 | 6A | 97 BPM | ||
Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
Kyrie in D Major | Gaetano Donizetti, Orchestra Sinfonica di Praga, Coro della Radiotelevisione Ceka, Edoardo Brizio, Valentina Di Cola, Emanuela Daffai, Roberto Bencivenga, Carlo Di Cristoforo | D Major | 2 | 10B | 92 BPM | ||
Les elemens, "Simphonie nouvelle": I. Le Cahos | Jean-Féry Rebel, L'Orfeo Barockorchester, Michi Gaigg | E♭ Minor | 1 | 2A | 86 BPM | ||
Carmina Burana (version for soloists, choruses, 2 pianos and percussion): Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, Lenneke Ruiten, Christoph Genz, Stephan Genz, SWR Vokalensemble Stuttgart, Stuttgart State Opera Children's Chorus, Grauschumacher Piano Duo, Norbert Schmitt-Lauxmann, Christoph Wiedmann, Martin Ruda, Markus Fischer, Jakob Eschenburg, Frank Behle, Rupert Huber | F Major | 2 | 7B | 132 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Piano Concerto No. 2 in C Minor: III. Andante | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A Minor | 1 | 8A | 91 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (g) Allegro ma non tanto. "Freude, Tochter aus Elysium!" - | Ludwig van Beethoven, Margaret Price, Marjana Lipovsek, Peter Seiffert, Jan-Hendrik Rootering, Chor Des Städtischen Musikvereins E. V. Düsseldorf, Wolfgang Sawallisch, Royal Concertgebouw Orchestra, Chor des Städtischen Musikvereins zu Düsseldorf | A Major | 1 | 11B | 75 BPM |
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