- BPM
- 69
- Key
- A Major
- Camelot
- 11B
Main Theme: The Call of the Faraway Hills - From "Shane" - The City of Prague Philharmonic Orchestra Information
- Acousticness
- 87%
- Danceability
- 14%
- Energy
- 19%
- Instrumentalness
- 94%
- Liveness
- 16%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 18%
- Popularity
- 0%
- Loudness
- -17.585 dB
Summary
"Main Theme: The Call of the Faraway Hills - From "Shane"" by The City of Prague Philharmonic Orchestra was released on January 1, 2005. The duration of Main Theme: The Call of the Faraway Hills - From "Shane" is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Main Theme: The Call of the Faraway Hills - From "Shane"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 56 in the song's album "The Magnificent Westerns". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Main Theme: The Call of the Faraway Hills - From "Shane" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Main Theme: The Call of the Faraway Hills - From "Shane" BPM
With Main Theme: The Call of the Faraway Hills - From "Shane" by The City of Prague Philharmonic Orchestra having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Main Theme: The Call of the Faraway Hills - From "Shane" Key
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | |
 | The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | |
 | Schubert: Die Forelle, Op. 32, D. 550 | Franz Schubert, Ian Bostridge, Julius Drake | D♭ Major | 0 | 3B | 170 BPM | |
 | On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | |
| Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | |
 | GODFATHER PART III, THE - Marcia Festa | Raine, The City of Prague Philharmonic Orchestra | B♭ Major | 5 | 6B | 126 BPM | |
 | The Witcher: Toss A Coin To Your Witcher | Sonya Belousova, Giona Ostinelli, Esther Abrami, The City of Prague Philharmonic Orchestra, Ben Palmer | F♯ Minor | 3 | 11A | 105 BPM | |
 | Around The World In 80 Days | The City of Prague Philharmonic Orchestra | E♭ Major | 3 | 5B | 115 BPM | |
 | Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | |
 | A Dangerous Path | The Chamber Orchestra Of London | G Minor | 2 | 6A | 80 BPM |
- ISRC
- GBAJC0103679
- Label
- L-M Records/RCA Records
Section: 0.5856008529663086
End: 0.5910968780517578