François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai made "Les goûts-réunis, ou Nouveaux Concerts, Concert No. 6 in B-Flat Major: No. 5, Siciliéne" available on April 5, 2024. The duration of Les goûts-réunis, ou Nouveaux Concerts, Concert No. 6 in B-Flat Major: No. 5, Siciliéne is about 3 minutes long, at 3:09. Based on our data, "Les goûts-réunis, ou Nouveaux Concerts, Concert No. 6 in B-Flat Major: No. 5, Siciliéne" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 30 in Couperin: Concerts by François Couperin, Emanuel Abbühl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Les goûts-réunis, ou Nouveaux Concerts, Concert No. 6 in B-Flat Major: No. 5, Siciliéne is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Les goûts-réunis, ou Nouveaux Concerts, Concert No. 6 in B-Flat Major: No. 5, Siciliéne by François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Le Dodo ou L'Amour au berceau (15e ordre) | François Couperin, Alexandre Tharaud | A Major | 0 | 11B | 66 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged for cello and piano / Act 2: Dance of the Blessed Spirits (Reigen seliger Geister) | Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov | B Minor | 1 | 10A | 66 BPM | ||
Musette en rondeau | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 1 | 12B | 68 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM |
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