"Concerto in C Major for Flute, Harp and Orchestra, K. 299: II. Andantino" by Wolfgang Amadeus Mozart, James Galway, Marisa Robles, Eduardo Mata was released on 1979. Since Concerto in C Major for Flute, Harp and Orchestra, K. 299: II. Andantino is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, James Galway, Eduardo Mata's "James Galway Plays Mozart: K. 299 & K. 622" album is number 2 out of 6. On top of that, United States appears to be the country where this track was created. In terms of popularity, Concerto in C Major for Flute, Harp and Orchestra, K. 299: II. Andantino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in C Major for Flute, Harp and Orchestra, K. 299: II. Andantino by Wolfgang Amadeus Mozart, James Galway, Marisa Robles, Eduardo Mata to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in A Minor: I. Adagio | Domenico Elmi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | A Minor | 1 | 8A | 81 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Ton Koopman, Saskia Kwast, Wilbert Hazelzet, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 124 BPM | ||
Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM | ||
Sinfonia Concertante in E-Flat Major, K. 364: 2. Andante - Live | Wolfgang Amadeus Mozart, Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | C Minor | 1 | 5A | 77 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 79 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Seht doch! Mit gold'nem Geweih | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
Mozart: Sinfonia concertante for Oboe, Clarinet, Horn and Bassoon in E-Flat Major, K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | E♭ Major | 0 | 5B | 62 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM |
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