Anonymous, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Première Veille, la Nuit: Deux Bergers & deux Bergères - Quatre Païsans' came out on September 3, 2015. With Le Concert royal de la Nuit, Première Veille, la Nuit: Deux Bergers & deux Bergères - Quatre Païsans being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 8 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Première Veille, la Nuit: Deux Bergers & deux Bergères - Quatre Païsans is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Première Veille, la Nuit: Deux Bergers & deux Bergères - Quatre Païsans by Anonymous, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aleluia, beatus vir qui suffert (Modo I) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Christ-Roi : Te saeculorum | Anonymous, Choeur des moniales bénédictines de l'Abbaye Notre-Dame d'Argentan | G Major | 0 | 9B | 136 BPM | ||
Genuit puerpera regem - Antífona y Salmo 99 (Modo II) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Kondak Akafista St. Blz. | St. Peter St. Paul Cathedral Choir of Minsk | E Minor | 1 | 9A | 134 BPM | ||
Lauda Sion: Nunc dimittis - Sequentia in Festo Corporis Christi | Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | A Major | 1 | 11B | 106 BPM | ||
Tempo Della Glora E Della Vita. Canto Al Vangelo: Oportebat | Canonici Regolari Si Sant'Antimo | F Major | 1 | 7B | 131 BPM | ||
Hymnus, Veni Creator Spiritus | Choir of Beirut | B♭ Major | 0 | 6B | 70 BPM | ||
Nos esprits libres et contents | Anonymous, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 107 BPM | ||
Contre Qui, Rose | Nordic Chamber Choir | B♭ Minor | 1 | 3A | 139 BPM | ||
Messe de Notre-Dame: IX. Sanctus | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | F Major | 2 | 7B | 96 BPM |
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