Brent Carver, Chad Kimball made "Sad Balbec" available on October 7, 2003. With Sad Balbec being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "My Life With Albertine (Original off-Broadway Cast Recording)" album is number 8 out of 19. Sad Balbec is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sad Balbec by Brent Carver, Chad Kimball to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rappahannock County, Pt. 5: Finale. April Will Return Again (Live) | Ricky Ian Gordon, Mark Walters, Faith Sherman, Matthew Tuell, Kevin Moreno, Aundi Marie Moore, Virginia Arts Festival Orchestra, Rob Fisher | G Major | 2 | 9B | 91 BPM | ||
Puts: The Hours, Act 1: "Go Slowly. Ignore Your Novel" (Virginia, Clarissa, Chorus, Leonard) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Metropolitan Opera Chorus, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Do Not Go My Love | Charlotte Hoather | F♯ Minor | 1 | 11A | 89 BPM | ||
Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | ||
10. My well-beloved Lord | Arthur Sullivan, Mary Sansom, Thomas Round, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey | F♯ Major | 2 | 2B | 83 BPM | ||
Spring Symphony, Op. 44, Part I: The Merry Cuckoo (Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton | D Major | 2 | 10B | 148 BPM | ||
Rosemonde | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 78 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
ICC 101: La lune paresseuse | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 129 BPM |
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