Arthur Sullivan, Marjorie Thomas/Sir Geraint Evans/Richard Lewis/Elsie Morison/Owen Brannigan/Ian Wallace/John Cameron/Jeannette Sinclair/Monica Sinclair/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra made "Sullivan: The Mikado or The Town of Titipu, Act 2: No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)" available on 1957. The duration of Sullivan: The Mikado or The Town of Titipu, Act 2: No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Sullivan: The Mikado or The Town of Titipu, Act 2: No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Sullivan - The Mikado". In this album, this song's track order is #14. In terms of popularity, Sullivan: The Mikado or The Town of Titipu, Act 2: No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sullivan: The Mikado or The Town of Titipu, Act 2: No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others) by Arthur Sullivan, Marjorie Thomas/Sir Geraint Evans/Richard Lewis/Elsie Morison/Owen Brannigan/Ian Wallace/John Cameron/Jeannette Sinclair/Monica Sinclair/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
H.M.S. Pinafore, Act II: Entr’acte | Gilbert & Sullivan Society of Houston | G Major | 1 | 9B | 82 BPM | ||
Mass: Credo: Trope, "I Believe in God" (3 Solo Voices, Street Chorus, Rock Singer, Chorus) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | G Minor | 4 | 6A | 173 BPM | ||
Già il sole dal Gange | Alessandro Scarlatti, Ramón Vargas | A Major | 2 | 11B | 75 BPM | ||
The Pirates of Penzance: I Am the Very Model | Eric Roberts | C Major | 2 | 8B | 133 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
The Pirates of Penzance: When You Had Left Our Pirate Fold | Malcolm Rivers, Philip Creasy, Susan Gorton | C Major | 1 | 8B | 59 BPM | ||
Roméo et Juliette, Act II: Ah, je veux vivre dans ce reve | Charles Gounod, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | B♭ Major | 1 | 6B | 103 BPM | ||
Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
The Beauty Stone, Act I Scene 2: Know ye all, both great and small (Nicholas, Philip) | Arthur Sullivan, Rory Macdonald, BBC National Orchestra Of Wales, Toby Spence, Richard Suart | B♭ Major | 1 | 6B | 112 BPM |
Section: 0.7009623050689697
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