"De Angelis: I. —" by Christos Hatzis, Laura Pudwell, Rebecca Whelan, Andrea Ludwig, Christina Stelmacovich, Elmer Iseler Singers, Amadeus Chamber Singers, Lydia Adams was released on January 1, 2006. Since De Angelis: I. — is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Christos Hatzis's "Hatzis: Everlasting Light - The Music of Christos Hatzis" album is number 1 out of 23. On top of that, Canada appears to be the country where this track was created. De Angelis: I. — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of De Angelis: I. — by Christos Hatzis, Laura Pudwell, Rebecca Whelan, Andrea Ludwig, Christina Stelmacovich, Elmer Iseler Singers, Amadeus Chamber Singers, Lydia Adams to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM | ||
Despair Not, O Heart (Arr. For String Quartet) | Traditional, Danish String Quartet | G Major | 0 | 9B | 79 BPM | ||
Antigua 6 (Gigue) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
25 Duos for Violin and Cello: XXI. Valse bavaroise | Jörg Widmann, Patricia Kopatchinskaja, Sol Gabetta | G Minor | 1 | 6A | 88 BPM | ||
Adam's Apple: III. Temptation | Mateusz Smoczynski, Rafal Janiak, Chopin University Chamber Orchestra | B Major | 2 | 1B | 154 BPM | ||
紫の炎 | Ritchie Blackmore, Jon Lord, イアン・ペイス, デイヴィッド・カヴァデール, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Stabat Mater, Op. 45: I. Stabat Mater | Manuel Ruiz Del Corral, Varanus Ensemble | F Major | 1 | 7B | 82 BPM | ||
Falling in | Miljan Minic, Smooth Windy Times | G Minor | 0 | 6A | 62 BPM |
Section: 0.7913682460784912
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