Harmonia artificioso-ariosa / Partia VII: Allamande - Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel Information

Acousticness: 93%
Danceability: 23%
Energy: 14%
Instrumentalness: 13%
Liveness: 15%
Loudness: 70%
Speechiness: 5%
Valence: 29%
Popularity: 3%
Loudness: -18.12 dB

Summary

Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel's 'Harmonia artificioso-ariosa / Partia VII: Allamande' came out on January 1, 2004. The duration of Harmonia artificioso-ariosa / Partia VII: Allamande is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Harmonia artificioso-ariosa / Partia VII: Allamande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Based on our statistics, Harmonia artificioso-ariosa / Partia VII: Allamande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Harmonia artificioso-ariosa / Partia VII: Allamande BPM

The tempo marking of Harmonia artificioso-ariosa / Partia VII: Allamande by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Harmonia artificioso-ariosa / Partia VII: Allamande Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata in B-Flat Major, Op. 2, No. 1, BuxWV 259: Allegro -	Dietrich Buxtehude, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen	A Major	3	11B	199 BPM
Airs for the Winter: Golden Rod: II. Musette: Allegro moderato	James Oswald, The Broadside Band	F♯ Minor	2	11A	127 BPM
Concerto In D Major, Op.26, No.6: 3. Allegro	Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel	D♭ Major	2	3B	109 BPM
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major	Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger	D♭ Major	1	3B	127 BPM
In hoc mundo: I. Sonata	Domenico Zipoli, Florilegium	D♭ Major	2	3B	104 BPM
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté	François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai	E Major	1	12B	82 BPM
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": II. Allaman	Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia	A♭ Major	1	4B	82 BPM
Rosary Sonata No. 6 in C Minor, C. 95 "Christ on the Mount of Olives": Lamento	Heinrich Ignaz Franz von Biber, Mayumi Hirasaki, Michael Freimuth, Christine Schornsheim, Jan Freiheit	F♯ Minor	0	11A	109 BPM
Rosary Sonata No. 12 in C Major, C. 101 "The Ascension": Intrada - Aria tubicinum - Allamanda - Courente and Double	Heinrich Ignaz Franz von Biber, Mayumi Hirasaki, Michael Freimuth, Christine Schornsheim, Johannes Loescher	F♯ Minor	0	11A	109 BPM
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2)	Johann David Heinichen, Il Fondamento, Paul Dombrecht	C Major	1	8B	89 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7750380039215088

End: 0.7780909538269043