Johann Sebastian Bach, Glenn Gould made "Goldberg Variations, BWV 988: Var. 15, Canone alla quinta" available on 1962. With this song being about 5 minutes long, at 5:02, "Goldberg Variations, BWV 988: Var. 15, Canone alla quinta" by Johann Sebastian Bach, Glenn Gould is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 120 in the song's album "The Complete Bach Collection Vol. 3 / Glenn Gould". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Goldberg Variations, BWV 988: Var. 15, Canone alla quinta is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Goldberg Variations, BWV 988: Var. 15, Canone alla quinta by Johann Sebastian Bach, Glenn Gould having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludes, Op. 28: No. 3 in G Major, Vivace | Frédéric Chopin, Grigory Sokolov | G Major | 0 | 9B | 71 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Concerto in C Minor for Violin & Oboe, BWV 1060R: 1. Allegro | Johann Sebastian Bach, Janine Jansen, Ramon Ortega Quero, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | D Major | 1 | 10B | 136 BPM | ||
Gnossiennes: No. 6 | Erik Satie, Pascal Rogé | B♭ Major | 0 | 6B | 66 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Anne-Katharina Schreiber, Gottfried Von Der Goltz | B♭ Minor | 1 | 3A | 69 BPM | ||
Goldberg Variations, BWV 988: Var. 23 | Johann Sebastian Bach, Glenn Gould | G Major | 4 | 9B | 103 BPM | ||
Nocturne No.7 In C Sharp Minor, Op.27 No.1 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | A Major | 0 | 11B | 73 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM |
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