Erik Bergman, Paul Hillier, Estonian Philharmonic Chamber Choir's 'Vier Galgenlieder, Op.51b (1960): III. Tapetenblume' came out on November 7, 2005. With Vier Galgenlieder, Op.51b (1960): III. Tapetenblume being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 15 in Baltic Voices 3 by Paul Hillier, Estonian Philharmonic Chamber Choir. Vier Galgenlieder, Op.51b (1960): III. Tapetenblume is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Vier Galgenlieder, Op.51b (1960): III. Tapetenblume by Erik Bergman, Paul Hillier, Estonian Philharmonic Chamber Choir is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keep Me as the Apple of an Eye | Neil Cox, The Gesualdo Six, Owain Park | B♭ Major | 1 | 6B | 81 BPM | ||
A brief story of Peter Abelard (verson for soprano saxophone and organ) | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | B♭ Minor | 1 | 3A | 68 BPM | ||
An Easter Sequence | Kenneth Leighton, Salisbury Cathedral Boys & Girls Choir, David Halls, Simon Lole | G Major | 2 | 9B | 85 BPM | ||
Requiem: VII. Lux Aeterna | Michael John Trotta, Tenebrae, Nigel Short | A Minor | 0 | 8A | 71 BPM | ||
Si drömmaren kommer där, op. 21/1 | Erik Bergman, Hannu Heikkilä, Rolf Bergroth | C Minor | 2 | 5A | 74 BPM | ||
Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
Syliisi Hellään Sulje | Antaisin.fi, Kaisa Peni | F Major | 8 | 7B | 90 BPM | ||
For Children (Gyermekeknek): Elvesztettem Páromat (Andante) | The Royal Wind Music | F Major | 2 | 7B | 136 BPM | ||
Fro Welt, ir sint gar húpsch und schón: XXIII. der menschait ist ze uppikait gach | Hugo von Montfort, Eberhard Kummer | G Minor | 0 | 6A | 84 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM |
Section: 0.6985869407653809
End: 0.7073726654052734