"The Nightmare" by Bernard Herrmann, Joel McNeely, Royal Scottish National Orchestra was released on January 1, 2000. With The Nightmare being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Bernard Herrmann, Joel McNeely, Royal Scottish National Orchestra's "Marnie (Original Motion Picture Score)" album is number 25 out of 41. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Nightmare is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Nightmare by Bernard Herrmann, Joel McNeely, Royal Scottish National Orchestra to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mad Men Suite | David Carbonara | C Minor | 2 | 5A | 103 BPM | ||
Map And Willie | Dave Grusin | F♯ Minor | 1 | 11A | 172 BPM | ||
La Corsa (2nd Version) | Luis Bacalov | C Major | 4 | 8B | 122 BPM | ||
The Calling/Main Title | Donald Rubinstein | G Major | 2 | 9B | 147 BPM | ||
Theme from Taxi Driver | Bernard Herrmann, Dave Blume | F Major | 4 | 7B | 164 BPM | ||
Carlotta's Portrait | Bernard Herrmann | C Major | 0 | 8B | 68 BPM | ||
When I Wake | Justin Hurwitz | D Major | 2 | 10B | 138 BPM | ||
A Beautiful Mine (Mad Men Theme) | David Carbonara | D Minor | 5 | 7A | 172 BPM | ||
Pruit Igoe | Philip Glass | F Major | 2 | 7B | 120 BPM | ||
Crepuscolo Sul Mare | Piero Umiliani | F Major | 4 | 7B | 100 BPM |
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