On December 28, 2021, the song "Shree Jeen Mata Mangalpath 7th Adhyay - Shree Jeen Mata Mangalpath Saurabh Madhukar Keshav Madhukar" was released by Saurabh Madhukar, Keshav Madhukar. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Shree Jeen Mata Mangalpath Sampurn Adhyay Saurabh Madhukar Keshav Madhukar (Shree Jeen Mata Mangalpath Full)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Australia. Shree Jeen Mata Mangalpath 7th Adhyay - Shree Jeen Mata Mangalpath Saurabh Madhukar Keshav Madhukar is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Shree Jeen Mata Mangalpath 7th Adhyay - Shree Jeen Mata Mangalpath Saurabh Madhukar Keshav Madhukar by Saurabh Madhukar, Keshav Madhukar having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mola Ka Hoge Ram | Anuj Sharma | B♭ Minor | 8 | 3A | 138 BPM | ||
Hariyar Hareli - Chhattisgarhi Hareli Geet | Garima Diwakar, Swarna Diwakar | D Major | 5 | 10B | 76 BPM | ||
Fevicol | Kishan Sen | E Minor | 8 | 9A | 85 BPM | ||
Baithas Has Tariya Ke Par O | Dukalu Yadav | A Major | 5 | 11B | 91 BPM | ||
Pran Piyara Chhattisgarh | Ashok Narayan Banjara, Sunil soni, Champa Nishad, Anurag Sharma, Bhumika Sahu, Deepsikha patwa | A♭ Minor | 8 | 1A | 86 BPM | ||
Mola Kabar Daga Ma Dare | Pt. Vivek Sharma, Champa Nishad | D Major | 8 | 10B | 82 BPM | ||
Dal Baadli Ro Paani | Rekha Rao, Parmeshwar Premi | D♭ Minor | 9 | 12A | 164 BPM | ||
Manga Hai Maine Maiya Se Vardaan Ek Hi Rani Sati Dadi Bhajan - Rani Sati Dadi Bhajan | Saurabh Madhukar, Keshav Madhukar | D Minor | 7 | 7A | 130 BPM | ||
Mein Mehandipur Mein Aayi | Sanjay Bhagi, Rakesh Kala, Vandana Vajpai | F♯ Minor | 6 | 11A | 96 BPM | ||
Hara Hu Baba Tujhpe Bharosa Hai | Adhishtha, Anushka Bhatnagar | E Minor | 9 | 9A | 95 BPM |