"Vesperae solennes de confessore, K. 339: IV. Laudate pueri" by Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire was released on February 7, 2000. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart's "Mozart: Solemn Vespers" album is number 12 out of 14. In terms of popularity, Vesperae solennes de confessore, K. 339: IV. Laudate pueri is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vesperae solennes de confessore, K. 339: IV. Laudate pueri by Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vesperae solennes de Dominica, K. 321: III. Beatus vir | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | B♭ Major | 2 | 6B | 103 BPM | ||
Du aber Daniel, gehe hin, TWV 4:17: VIII. Coro "Schlaf wohl, ihr seligen Gebeine" | Georg Philipp Telemann, Ricercar Consort, Greta de Reyghere, James Bowman, Guy De Mey, Max van Egmond | E♭ Major | 2 | 5B | 96 BPM | ||
Le nozze di Figaro, K.492 / Act 1: N. 2. Duettino: “Se a caso Madama la notte ti chiama” | Wolfgang Amadeus Mozart, Luca Pisaroni, Christiane Karg, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 175 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Tancredi: Act I: Recitativo | Gioachino Rossini, Sumi Jo, Lucretia Lendi, Anna Maria di Micco, Stanford Olsen, Patrick Peire, Ewa Podles, Pietro Spagnoli, Capella Brugensis, Collegium Instrumentale Brugense, Alberto Zedda | C Minor | 0 | 5A | 79 BPM | ||
Regina coeli, K. 127 : Allegro maestroso | Capella Brugensis, Patrick Peire, Collegium Instrumentale Brugense | C Minor | 0 | 5A | 79 BPM | ||
Judas Maccabaeus: Act 3. Duet: O lovely peace | George Frideric Handel, Philharmonia Baroque Orchestra, Lisa Saffer, Nicholas McGegan, Patricia Spence | F♯ Major | 0 | 2B | 170 BPM | ||
Missa brevis In C, K.220 "Spatzenmesse": 2. Gloria | Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems | C Major | 2 | 8B | 120 BPM | ||
Veni sancte spiritus, K. 47 : Presto | Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | G Major | 3 | 9B | 73 BPM | ||
Harmonische Freude frommer Seelen: I. Ich freue mich im Herrn | Georg Riedel, Ricercar Consort, Greta de Reyghere, James Bowman, Guy De Mey, Max van Egmond | E♭ Major | 2 | 5B | 96 BPM |
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