"Beethoven: The Ruins of Athens (Incidental Music), Op. 113: No. 6, Marsch and Chorus "Schmükt die Altäre", Op. 114 (Assai moderato)" by Ludwig van Beethoven, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham was released on April 4, 2005. Beethoven: The Ruins of Athens (Incidental Music), Op. 113: No. 6, Marsch and Chorus "Schmükt die Altäre", Op. 114 (Assai moderato) is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The song is number 12 out of 20 in Beethoven: Symphony Nos. 2 & 7; Mass in C, etc by Sir Thomas Beecham. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Beethoven: The Ruins of Athens (Incidental Music), Op. 113: No. 6, Marsch and Chorus "Schmükt die Altäre", Op. 114 (Assai moderato) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: The Ruins of Athens (Incidental Music), Op. 113: No. 6, Marsch and Chorus "Schmükt die Altäre", Op. 114 (Assai moderato) by Ludwig van Beethoven, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Swan Lake (Suite), Op. 20a, TH. 219: I. Scene - Swan Theme | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | E Minor | 2 | 9A | 74 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Piano Sonata No. 6 in F Major, Op. 10 No. 2: III. Presto | Ludwig van Beethoven, Moritz Winkelmann | F Minor | 0 | 4A | 132 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM |
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