Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks's 'Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Nachspiel - Ciaccona' came out on January 1, 2016. With Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Nachspiel - Ciaccona being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Peter Kiesewetter, Heinz Rühmann's "Kiesewetter: Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble)" album is number 13 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Nachspiel - Ciaccona is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Nachspiel - Ciaccona by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Suite No. 1 for Chamber Orchestra: II. Napolitana | Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons | C Minor | 0 | 5A | 77 BPM | ||
La forza del destino: Overture | Alberto Lizzio, Süddeutsche Philharmonie | E Minor | 2 | 9A | 78 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe | E♭ Major | 2 | 5B | 121 BPM | ||
Prokofiev: Symphony No. 4 in C Major, Op. 47: I. Andante assai - Allegro eroico | Sergei Prokofiev, Mstislav Rostropovich, Orchestre National De France | C Major | 1 | 8B | 122 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM |
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