Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra, Bolshoi Theatre Choir, Taras Shtonda, Aleksandra Durseneva, Maria Gavrilova, Vitaly Panfilov's 'Ruslan and Lyudmila, Op. 5, Act III: No. 16, Finale. O moi Ratmir' had a release date set for April 1, 2004. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The track order of this song in Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra, Bolshoi Theatre Choir, Taras Shtonda, Ekaterina Morozova's "Glinka: Ruslan and Lyudmila" album is number 10 out of 38. On top of that, Netherlands appears to be the country where this track was created. Ruslan and Lyudmila, Op. 5, Act III: No. 16, Finale. O moi Ratmir is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ruslan and Lyudmila, Op. 5, Act III: No. 16, Finale. O moi Ratmir by Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra, Bolshoi Theatre Choir, Taras Shtonda, Aleksandra Durseneva, Maria Gavrilova, Vitaly Panfilov to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Sonata for Two Pianos in D Major, K. 448/375a: II. Andante | Wolfgang Amadeus Mozart, Piano Duo Scholtes and Janssens | G Major | 0 | 9B | 102 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
10 Preludes, Op. 23: No. 2 in B-Flat Major: Maestoso | Sergei Rachmaninoff, Eldar Nebolsin | D♭ Major | 1 | 3B | 63 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Mazurka in A-Flat Major | Mikhail Glinka, Inga Fiolia | A♭ Major | 1 | 4B | 157 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM |