Singin' The Blues Till My Daddy Comes Home (11-23-37)
Midge Williams
Complete Jazz Series 1937 - 1938
2:48 September 14, 2009
BPM
153
Key
A♭ Major
Camelot
4B

Embed

Share Link

Singin' The Blues Till My Daddy Comes Home (11-23-37) - Midge Williams Information

Acousticness
95%
Danceability
56%
Energy
20%
Instrumentalness
0%
Liveness
18%
Loudness
74%
Speechiness
5%
Valence
64%
Popularity
Loudness
-15.643 dB

Summary

Midge Williams made "Singin' The Blues Till My Daddy Comes Home (11-23-37)" available on September 14, 2009. The duration of Singin' The Blues Till My Daddy Comes Home (11-23-37) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Singin' The Blues Till My Daddy Comes Home (11-23-37)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 24 in Complete Jazz Series 1937 - 1938 by Midge Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Singin' The Blues Till My Daddy Comes Home (11-23-37)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Singin' The Blues Till My Daddy Comes Home (11-23-37) BPM

The tempo marking of Singin' The Blues Till My Daddy Comes Home (11-23-37) by Midge Williams is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.

Singin' The Blues Till My Daddy Comes Home (11-23-37) Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lonesome Me by Tom Gerun and His OrchestraLonesome MeTom Gerun and His OrchestraC Major28B201 BPM
Sweet Marijuana Brown by Sweet Megg & the WayfarersSweet Marijuana BrownSweet Megg & the WayfarersF Major17B101 BPM
Woo-Hoo by Bobby GordonWoo-HooBobby GordonD Minor57A203 BPM
Stop Pretending (So Hip You See) by Buddy JohnsonStop Pretending (So Hip You See)Buddy JohnsonG Minor26A71 BPM
A Hundred Years from Today by Jane RussellA Hundred Years from TodayJane RussellF Major07B133 BPM
Copper Colored Gal (10-12-36) by Bob HowardCopper Colored Gal (10-12-36)Bob HowardG Major49B107 BPM
627 Stomp (11-11-40) by Pete Johnson627 Stomp (11-11-40)Pete JohnsonB Major51B156 BPM
Peckin' by Ben Pollack & His OrchestraPeckin'Ben Pollack & His OrchestraF Minor44A181 BPM
She's Got It by Parker Gibbs & Ted Weems OrchestraShe's Got ItParker Gibbs & Ted Weems OrchestraE Major212B120 BPM
Yes! Yes! Yes! by Blind Blake, The Royal Victoria Hotel CalypsosYes! Yes! Yes!Blind Blake, The Royal Victoria Hotel CalypsosB♭ Minor43A110 BPM
ISRC
USA370941736
Label
L-M Records/RCA Records

Section: 0.5029489994049072

End: 0.5068702697753906