"Mass of Blessed John Henry Newman: I. Kyrie" by James MacMillan, Cappella Nova, Alan Tavener was released on October 17, 2011. With Mass of Blessed John Henry Newman: I. Kyrie being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Who Are These Angels? New Choral Music by James MacMillan by James MacMillan, Cappella Nova, Alan Tavener. The song's track number on the album is #14 out of 19 tracks. The popularity of Mass of Blessed John Henry Newman: I. Kyrie is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Mass of Blessed John Henry Newman: I. Kyrie by James MacMillan, Cappella Nova, Alan Tavener has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Mass of Blessed John Henry Newman: I. Kyrie being at 175 BPM, the half-time would be 88 BPM with a double-time of 350 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade of the Celestials | LeoRoads | E Major | 1 | 12B | 117 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Mass for Double Choir: Gloria | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Minor | 1 | 7A | 86 BPM | ||
The Lamb | Kim André Arnesen, Kantorei, Joel Rinsema | B Minor | 0 | 10A | 126 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
O du stille Zeit | Sjaella | B♭ Major | 0 | 6B | 70 BPM | ||
Who Shall Separate Us? | James MacMillan, Continuum, Harry Guthrie | E Major | 0 | 12B | 70 BPM | ||
Create in Me a Clean Heart | The Concordia Choir | E Major | 0 | 12B | 84 BPM | ||
Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM |
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