"Veni, Veni Emmanuel" by Zoltán Kodály, Budapest Monteverdi Choir, Eva Kollar was released on June 1, 2010. With this song being about 5 minutes long, at 5:18, "Veni, Veni Emmanuel" by Zoltán Kodály, Budapest Monteverdi Choir, Eva Kollar is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Budapest Monteverdi Choir, Eva Kollar, Ferenc Farkas, Ferenc Kersch, Gyorgy Deak-Bardos, György Orbán, Lajos Bárdos, László Halmos, Zoltán Kodály's "Musica Sacra Hungarica. Geistliche Chormusik des 20. Jahrhunderts" album is number 8 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Veni, Veni Emmanuel's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Veni, Veni Emmanuel by Zoltán Kodály, Budapest Monteverdi Choir, Eva Kollar to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Schön Rosmarin | Fritz Kreisler, Michael Collins, Michael McHale | G Major | 1 | 9B | 104 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 3. Finale (Allegro molto) | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | F♯ Minor | 0 | 11A | 84 BPM | ||
The Hebrides (Fingal's Cave), Op. 26, MWV P 7 | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
Bohemian Stillness | Antonín Dvořák, Petr Nouzovský, Czech Philharmonic Chamber Orchestra, Stanislav Vavřínek | G Major | 3 | 9B | 98 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 6, Variation de la neige - No. 7, Coda | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 1, Allegro marcato | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Major | 2 | 10B | 129 BPM | ||
Des Knaben Wunderhorn: Rheinlegendchen | Gustav Mahler, Daishin Kashimoto, Emmanuel Pahud, Paul Meyer, Zvi Plesser, Eric Le Sage | D♭ Major | 3 | 3B | 95 BPM |
Section: 0.6508574485778809
End: 0.6542651653289795