Do I Hear a Waltz?: Thank You So Much
Richard Rodgers, Elizabeth Allen, Sergio Franchi, Frederick Dvonch
Do I Hear a Waltz? (Original Broadway Cast Recording)
2:34 1965
BPM
105
Key
D Major
Camelot
10B

Embed

Share Link

Do I Hear a Waltz?: Thank You So Much - Richard Rodgers, Elizabeth Allen, Sergio Franchi, Frederick Dvonch Information

Acousticness
89%
Danceability
32%
Energy
16%
Instrumentalness
0%
Liveness
22%
Loudness
77%
Speechiness
3%
Valence
28%
Popularity
Loudness
-13.843 dB

Summary

Richard Rodgers, Elizabeth Allen, Sergio Franchi, Frederick Dvonch's 'Do I Hear a Waltz?: Thank You So Much' came out on 1965. The duration of Do I Hear a Waltz?: Thank You So Much is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Do I Hear a Waltz?: Thank You So Much's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 15 in Do I Hear a Waltz? (Original Broadway Cast Recording) by Richard Rodgers, Original Broadway Cast of Do I Hear a Waltz?. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Do I Hear a Waltz?: Thank You So Much is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Do I Hear a Waltz?: Thank You So Much BPM

The tempo marking of Do I Hear a Waltz?: Thank You So Much by Richard Rodgers, Elizabeth Allen, Sergio Franchi, Frederick Dvonch is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Do I Hear a Waltz?: Thank You So Much Key

This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Now I Have Everything by Julia Migenes, Bert ConvyNow I Have EverythingJulia Migenes, Bert ConvyG Major19B114 BPM
Shall We Dance? - From Shall We Dance? - From "The King And I"Oscar Hammerstein II, Richard Rodgers, Yul Brenner, Gertrude LawrenceE♭ Major25B96 BPM
Guys and Dolls by Frank Sinatra (performer), Johnny Silver (performer), Stubby Kaye (performer)Guys and DollsFrank Sinatra (performer), Johnny Silver (performer), Stubby Kaye (performer)D Major410B110 BPM
Overture from Guys and Dolls by Jay Blackton (conductor), Guys and Dolls Pit OrchestraOverture from Guys and DollsJay Blackton (conductor), Guys and Dolls Pit OrchestraA♭ Major44B70 BPM
State Fair 1945: Main Title (Our State Fair) by Richard Rodgers, Oscar Hammerstein IIState Fair 1945: Main Title (Our State Fair)Richard Rodgers, Oscar Hammerstein IIB♭ Major56B120 BPM
Stranger In Paradise by Sierra Boggess, Julian OvendenStranger In ParadiseSierra Boggess, Julian OvendenG Minor36A94 BPM
Whatever Lola Wants by Gwen VerdonWhatever Lola WantsGwen VerdonA Minor28A147 BPM
A Woman in Love by Jean Simmons (performer), Marlon Brando (performer)A Woman in LoveJean Simmons (performer), Marlon Brando (performer)F♯ Major12B53 BPM
Soon It's Gonna Rain by Kenneth Nelson, Rita GardnerSoon It's Gonna RainKenneth Nelson, Rita GardnerC Major18B104 BPM
Try to Remember by Jerry OrbachTry to RememberJerry OrbachF Major27B125 BPM
ISRC
USSM16501463
Label
L-M Records/RCA Records

Section: 0.535057783126831

End: 0.5386736392974854