Sergei Prokofiev, Laurent Cabasso's 'Visions fugitives, Op. 22: No. 11, Con vivacità' came out on January 1, 1992. With Visions fugitives, Op. 22: No. 11, Con vivacità being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Prokofiev: Visions fugitives (Piano Steinway)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. In terms of popularity, Visions fugitives, Op. 22: No. 11, Con vivacità is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Visions fugitives, Op. 22: No. 11, Con vivacità by Sergei Prokofiev, Laurent Cabasso having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paquita: Variation 5: Allegro non troppo (by Cherepnin) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Minor | 1 | 9A | 140 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 2: Dance of the Knights | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 86 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Evgeny Kissin | D♭ Minor | 2 | 12A | 70 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Wie zu Anfang | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E♭ Major | 1 | 5B | 82 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM |
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