"Tristan und Isolde / Act 2: "Isolde! Geliebte! - Tristan! Geliebter!"" by Richard Wagner, Thomas Moser, Deborah Voigt, Vienna State Opera Orchestra, Christian Thielemann was released on January 1, 2004. Tristan und Isolde / Act 2: "Isolde! Geliebte! - Tristan! Geliebter!" appears to be safe for all ages as it is not explicit. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Vienna State Opera Orchestra, Christian Thielemann. The song's track number on the album is #3 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Tristan und Isolde / Act 2: "Isolde! Geliebte! - Tristan! Geliebter!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde / Act 2: "Isolde! Geliebte! - Tristan! Geliebter!" by Richard Wagner, Thomas Moser, Deborah Voigt, Vienna State Opera Orchestra, Christian Thielemann has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde / Act 2: "Isolde! Geliebte! - Tristan! Geliebter!" being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Ach, ich fühl's" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 69 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Minor | 1 | 5A | 82 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Rex tremendae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 3 | 6A | 108 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM |
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