"Psalm 117 "O Praise the Lord, All Ye Heathen"" by Peter Hurford, Ely Cathedral Choir, David Price, Paul Trepte was released on January 9, 1993. With Psalm 117 "O Praise the Lord, All Ye Heathen" being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Psalms of David, Vol. 8: Praise the Lord O My Soul". In this album, this song's track order is #13. Based on our statistics, Psalm 117 "O Praise the Lord, All Ye Heathen"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 117 "O Praise the Lord, All Ye Heathen" by Peter Hurford, Ely Cathedral Choir, David Price, Paul Trepte having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nunc dimittis in A Major | Herbert Sumsion, Chichester Cathedral Choir, James Thomas, Alan Thurlow | F♯ Minor | 1 | 11A | 69 BPM | ||
Nunc Dimittis in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 0 | 6B | 135 BPM | ||
O Sacred Head Now Wounded (PASSION CHORALE) | The Redeemer Choir Austin Texas | C Major | 1 | 8B | 102 BPM | ||
Come, Risen Lord: Come, risen Lord | Leo Sowerby, Cathedral Choral Society, Nicholas White, Gisele Becker | B♭ Major | 1 | 6B | 79 BPM | ||
O Father, Guide Our Nation's People SHZ 533 | Laestadian Lutheran Church, Leanna Fredrickson, Krista Hillstrom | B♭ Major | 2 | 6B | 127 BPM | ||
Give to Our God Immortal Praise | The Coventry Singers | E♭ Major | 2 | 5B | 91 BPM | ||
Encircled | Will Todd, Tenebrae, Nigel Short | A Major | 0 | 11B | 72 BPM | ||
In the Lord | Rejike | D Major | 0 | 10B | 74 BPM | ||
Symphony No. 1 in D Minor, Op. 14: 6. Final | Louis Vierne, Peter Hurford | D Major | 2 | 10B | 79 BPM | ||
Angels We Have Heard on High | Edward Atkinson, the Saint Ambrose Schola Cantorum | C Major | 3 | 8B | 112 BPM |
Section: 0.6017746925354004
End: 0.6112442016601562