Methodist Central Hall Choir, Westminster, John Chapman made "Wesley: What Shall I Do My God to Love (Jerusalem) - 5. the Depth of All-Redeeming Love" available on January 1, 1985. With Wesley: What Shall I Do My God to Love (Jerusalem) - 5. the Depth of All-Redeeming Love being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 71 out of 89 in Charles Wesley - 20 Favourite Hymns by Methodist Central Hall Choir, Westminster, John Chapman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Wesley: What Shall I Do My God to Love (Jerusalem) - 5. the Depth of All-Redeeming Love is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Wesley: What Shall I Do My God to Love (Jerusalem) - 5. the Depth of All-Redeeming Love by Methodist Central Hall Choir, Westminster, John Chapman is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
My song is love unknown | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | E♭ Major | 1 | 5B | 168 BPM | ||
Come, Risen Lord: Come, risen Lord | Leo Sowerby, Cathedral Choral Society, Nicholas White, Gisele Becker | B♭ Major | 1 | 6B | 79 BPM | ||
Psalm 134 (All Saints Old) | Independent Presbyterian Church Savannah, Scottish Festival Singers | C Major | 3 | 8B | 81 BPM | ||
Psalm 9 "I Will Give Thanks unto Thee, O Lord" | Thomas Attwood Walmisley, York Minster Choir, John Scott Whiteley, Philip Moore | A Major | 1 | 11B | 82 BPM | ||
Saffron Walden "Just As I Am, Without One Plea" | Arthur Henry Brown, Ely Cathedral Choir, Scott Farrell, Paul Trepte | D♭ Major | 1 | 3B | 83 BPM | ||
Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 4. Yea, Amen! Let All Adore Thee | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 59 BPM | ||
He Is Jehovah | Sharon Singers | A♭ Major | 1 | 4B | 100 BPM | ||
And Can It Be That I Should Gain (SAGINA) | The Redeemer Choir Austin Texas | G Major | 2 | 9B | 84 BPM | ||
When Jesus, Through Faith, Is My Savior SHZ 549 | Laestadian Lutheran Church, Viena Kontkanen, Kaitlyn Huhta, Ashley Niemela, Marianna Saulamaa, Liisa Keranen | C Minor | 2 | 5A | 94 BPM | ||
Christ Is Mine | Rejike | E♭ Minor | 1 | 2A | 94 BPM |
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