Ruperto Chapí, Joaquín Malats, Federico Moreno Torroba, Eduardo Lopez Juarranz, Francisco Asenjo Barbieri, Federico Chueca, Cleto Zabala, Orquesta Zarzuela De Madrid's 'Ole! Ole!: El Tambor de Granaderos' came out on January 1, 2000. With this song being about 5 minutes long, at 5:06, "Ole! Ole!: El Tambor de Granaderos" by Ruperto Chapí, Joaquín Malats, Federico Moreno Torroba, Eduardo Lopez Juarranz, Francisco Asenjo Barbieri, Federico Chueca, Cleto Zabala, Orquesta Zarzuela De Madrid is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Ole Ole". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ole! Ole!: El Tambor de Granaderos is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ole! Ole!: El Tambor de Granaderos by Ruperto Chapí, Joaquín Malats, Federico Moreno Torroba, Eduardo Lopez Juarranz, Francisco Asenjo Barbieri, Federico Chueca, Cleto Zabala, Orquesta Zarzuela De Madrid having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly: Un bel di vedremo - Remasterizado 2003 | Tania Libertad | D♭ Major | 2 | 3B | 76 BPM | ||
Las Golondrinas, II parte: "Pantomima" | Coro del Gran Teatro Lírico de Bacelona, Orquesta del Gran Teatro del Liceo de Barcelona | E♭ Major | 2 | 5B | 129 BPM | ||
Srdce v rákosí: "Hvězdy se líbají" | Jaroslav Jankovec, Dagmar Peckova, Zdeněk Matouš, Dvořák Chamber Orchestra, Miroslav Homolka | G Major | 1 | 9B | 66 BPM | ||
Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Stabat Mater, Op. 58, B. 71: II. Quis est homo, qui non fleret. Andante sostenuto | Antonín Dvořák, Eva Urbanova, Marta Benackova, John Uhlenhopp, Peter Mikuláš, Prague Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 84 BPM | ||
Les Pêcheurs de perles: Sombres divinités (Nourabad, Fishermen, Villagers, Zurga, Leïla, Nadir) | Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | B♭ Major | 1 | 6B | 68 BPM | ||
El Guitarrico: "Jota de Perico" - Remastered | Agustin Perez Soriano, Miguel Fleta, Gelabert | A Major | 2 | 11B | 171 BPM | ||
Carmen / Act 1: Que chercez-vous, la belle? | Georges Bizet, Katia Ricciarelli, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E♭ Major | 0 | 5B | 84 BPM | ||
Sento nel core | Tito Schipa | G Minor | 1 | 6A | 85 BPM |
Section: 0.7024352550506592
End: 0.7080693244934082