- BPM
- 103
- Key
- D♭ Major
- Camelot
- 3B
"Das Rheingold": Was wollt ihr hier? (Alberich, Wotan, Loge) - Zoltan Kelemen, Theo Adam, Herbert Schachtschneider Information
- Acousticness
- 95%
- Danceability
- 27%
- Energy
- 11%
- Instrumentalness
- 36%
- Liveness
- 54%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 0%
- Loudness
- -23.094 dB
Summary
""Das Rheingold": Was wollt ihr hier? (Alberich, Wotan, Loge)" by Zoltan Kelemen, Theo Adam, Herbert Schachtschneider was released on January 1, 2005. The duration of "Das Rheingold": Was wollt ihr hier? (Alberich, Wotan, Loge) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. "Das Rheingold": Was wollt ihr hier? (Alberich, Wotan, Loge)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Richard Wagner: Das Rheingold". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, "Das Rheingold": Was wollt ihr hier? (Alberich, Wotan, Loge) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
"Das Rheingold": Was wollt ihr hier? (Alberich, Wotan, Loge) BPM
With "Das Rheingold": Was wollt ihr hier? (Alberich, Wotan, Loge) by Zoltan Kelemen, Theo Adam, Herbert Schachtschneider having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
"Das Rheingold": Was wollt ihr hier? (Alberich, Wotan, Loge) Key
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | Gustav Mahler, René Kollo, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 56 BPM | |
 | Die Meistersinger von Nürnberg (1999 Digital Remaster), Act Three, Scene Four: Die selige Morgentraum-Deutweise....Selig, wie die Sonne (Sachs/Eva/Walther/David/Magdalene) | Karl Ridderbusch, Chor Des Reichssenders Leipzig, Theo Adam, Zoltan Kelemen, Horst Lunow, Horst Reeh, Helen Donath, Hermann Christian Polster, René Kollo, Staatskapelle Dresden, Peter Bindszus, Geraint Evans, Eberhard Büchner, Kurt Moll, Herbert von Karajan, Hans-Joachim Rotzsch, Siegfried Vogel, Horst Hiestermann, Ruth Hesse, Dresden State Opera Chorus, Peter Schreier | F♯ Minor | 2 | 11A | 76 BPM | |
 | Parsifal, WWV 111 / Act I: Nicht Dank! Haha! Was wird es helfen? ... He! Du da! Was liegst du dort wie ein wildes Tier? | Richard Wagner, Dunja Vejzovic, Heiner Hopfner, Georg Tichy, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 127 BPM | |
 | Jenufa / Act 1: Uz se vecer chyli | Leoš Janáček, Elisabeth Söderström, Marie Mrazova, Peter Dvorsky, Jana Jonasova, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Minor | 1 | 1A | 87 BPM | |
 | Verdi : Messa da Requiem : V Liber scriptus | Giuseppe Verdi, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 1 | 9B | 78 BPM | |
 | Falstaff / Act I: "Sei polli:sei scellini" | Giuseppe Verdi, Bryn Terfel, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | |
 | Puccini: Turandot, Act 2: "Olà, Pang! Olà, Pong!" (Ping, Pong, Pang) | Giacomo Puccini, Antonio Pappano, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 1 | 6B | 79 BPM | |
 | Puccini: Il tabarro: "Nulla! Silenzio!" (Michele) | Giacomo Puccini, Carlo Guelfi/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | G Minor | 2 | 6A | 139 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Couplets: Deux heures devant moi (Lindorf) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 2 | 8B | 83 BPM | |
 | Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |
- ISRC
- USA370927569
- Label
- L-M Records/RCA Records
Section: 0.6788454055786133
End: 0.6825461387634277