"Manon, Act III: Ah! Fuyez douce image" by Jules Massenet, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai was released on April 25, 2006. With this song being about 5 minutes long, at 5:07, "Manon, Act III: Ah! Fuyez douce image" by Jules Massenet, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Valletti: 1949-1952 by Cesare Valletti, Arturo Basile, Gianandrea Gavazzeni, Mario Rossi, Orchestra Sinfonica di Roma della RAI, Orchestra Sinfonica di Milano della RAI, Orchestra Sinfonica Di Torino Della Rai. The song's track number on the album is #16 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Manon, Act III: Ah! Fuyez douce image is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Manon, Act III: Ah! Fuyez douce image by Jules Massenet, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Manon, Act III: Ah! Fuyez douce image being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Massenet: Don Quichotte, Act 1: Introduction - "Alza ! Alza ! Alza !" (Pedro, Garcias, Rodriguez, Juan, Chœur) | Jules Massenet, Choeur du Capitole de Toulouse - Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq - Marie Ange Todorovitch - Isabelle Vernet, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Manon: Mademoiselle… Je ne suis pas mauvaise, mais souvent (Duo de Manon et Des Grieux) - 1928 Version | Jules Massenet, Joseph Rogatchevsky, Germaine Féraldy, Orchestre Du Theatre National De L'opera-comique, Elie Cohen | F Major | 2 | 7B | 81 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM |
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