"La rosa y el sauce" by Carlos Antonio Guastavino, Kim Kashkashian, Robert Levin was released on September 21, 2007. The duration of La rosa y el sauce is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. La rosa y el sauce's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 26 in Asturiana - Songs From Spain And Argentina by Kim Kashkashian, Robert Levin. La rosa y el sauce is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La rosa y el sauce by Carlos Antonio Guastavino, Kim Kashkashian, Robert Levin is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Diez Preludios: VI. Una niña bonita - Allegretto semplice | Carlos Guastavino, Martin Jones | F Major | 0 | 7B | 117 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Papillon, Op. 77 | Gabriel Fauré, Yo-Yo Ma, Kathryn Stott | A Major | 1 | 11B | 143 BPM | ||
The Lark (arr. for Harp) | Mikhail Glinka, Se Hee Hwang | D♭ Major | 1 | 3B | 69 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Bachianas Brasileiras No. 5, W389 | Heitor Villa-Lobos, Jian Wang, Göran Söllscher | D Minor | 0 | 7A | 122 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM |
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