"Alleluia, dulce carmen (Farewell to the Alleluia before Lent)" by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola was released on 1977. The duration of Alleluia, dulce carmen (Farewell to the Alleluia before Lent) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Alleluia, dulce carmen (Farewell to the Alleluia before Lent)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Traditional, Konrad Ruhland's "Konrad Ruhland Conducts Gregorian Chant" album is number 18 out of 63. Based on our statistics, Alleluia, dulce carmen (Farewell to the Alleluia before Lent)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alleluia, dulce carmen (Farewell to the Alleluia before Lent) by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pange Lingua Gloriosi, Sing of Glory | Harry Hagan OSB | C Major | 1 | 8B | 127 BPM | ||
Cantigas de Santa Maria: Nenbressete Madre de Deus | Alfonso X El Sabio, Alla Francesca, Brigitte Lesne | B Major | 1 | 1B | 87 BPM | ||
Recercada primera, quarta, ottava | Diego Oritz, Margaret Little, Sylvain Bergeron | A♭ Major | 1 | 4B | 81 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Ecce Quomodo Moritur | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 173 BPM | ||
You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Veni Creator | Thomas Aquinas. et al., Kitty Cleveland | A♭ Major | 2 | 4B | 76 BPM | ||
Five Hebrew Love Songs: Rakút (Tenderness) | Eric Whitacre, Eric Whitacre Singers | G Major | 1 | 9B | 92 BPM | ||
Mr. Beveridge's_Hole in the Wall | Shelley Phillips And Friends | B♭ Major | 2 | 6B | 80 BPM |
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