- BPM
- 138
- Key
- G Minor
- Camelot
- 6A
Saul, HWV53: 31. Accompagnato: Why hast thou forced me - Handel, J Vyvyan, H Watts, The Copenhagen Boys Choir, T Hemsley, L Dutoit, E Thorborg, H Handt, Vienna Symph Orch, M Wöldike Information
- Acousticness
- 94%
- Danceability
- 33%
- Energy
- 15%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 0%
- Loudness
- -21.426 dB
Summary
"Saul, HWV53: 31. Accompagnato: Why hast thou forced me" by Handel, J Vyvyan, H Watts, The Copenhagen Boys Choir, T Hemsley, L Dutoit, E Thorborg, H Handt, Vienna Symph Orch, M Wöldike was released on February 19, 2013. The duration of Saul, HWV53: 31. Accompagnato: Why hast thou forced me is about 3 minutes long, at 3:14. Based on our data, "Saul, HWV53: 31. Accompagnato: Why hast thou forced me" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 139 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Saul, HWV53: 31. Accompagnato: Why hast thou forced me's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Saul, HWV53: 31. Accompagnato: Why hast thou forced me BPM
The tempo marking of Saul, HWV53: 31. Accompagnato: Why hast thou forced me by Handel, J Vyvyan, H Watts, The Copenhagen Boys Choir, T Hemsley, L Dutoit, E Thorborg, H Handt, Vienna Symph Orch, M Wöldike is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Saul, HWV53: 31. Accompagnato: Why hast thou forced me Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: I. MOLTO ALLEGRO | Jeffrey Tate | G Minor | 2 | 6A | 105 BPM | |
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 | Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | |
 | Chamber Concerto in D Major, RV 95, "La pastorella" (arr. for recorder and orchestra): II. Largo | Antonio Vivaldi, László Kecskeméti, Nicolaus Esterhazy Sinfonia | D Major | 0 | 10B | 56 BPM | |
 | Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | |
 | Theodora, HWV 68: Recitative: Most cruel decree; sure thy noble soul; Air: The raptur'd soul defies the sword | Handel, English Chamb Orch, Heather Harper, John Lawrenson, Maureen Forrester, Johannes Somary, Amor Artis Chamber Choir, Maureen Lehane* | E♭ Major | 1 | 5B | 104 BPM | | |
 | Violin Concerto in A Minor, Op. 3, No. 6, RV 356: I. Allegro (arr. for violin and piano) | Anonymous, Antonio Vivaldi, Takako Nishizaki, Terence Dennis | A Minor | 3 | 8A | 94 BPM |
- ISRC
- USKO11300448
- Label
- L-M Records/RCA Records
Section: 0.7435805797576904
End: 0.7475056648254395