Theodor Michaelis, Edward Brightwell, Peter Phillips's 'Turkish Patrol, Op. 83 (Violin, Cello or Vocal Accomp) - Welte-Mignon 1544' came out on January 30, 2024. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Rendezvous. Piano Revelations from the Golden Age". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Germany. Based on our statistics, Turkish Patrol, Op. 83 (Violin, Cello or Vocal Accomp) - Welte-Mignon 1544's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turkish Patrol, Op. 83 (Violin, Cello or Vocal Accomp) - Welte-Mignon 1544 by Theodor Michaelis, Edward Brightwell, Peter Phillips having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
Suite pour instruments d'archet et flûte, P. 57: I. Badinage | Ottorino Respighi, Roberto Fabbriciani, Orchestra Sinfonica Abruzzese, Nicola Paszkowski | B Minor | 1 | 10A | 85 BPM | ||
Espada Suite: I. Panaderos | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | G Major | 1 | 9B | 108 BPM | ||
Keyboard Sonata in A minor, K.59, L.241 | Richard Settlement | D Major | 1 | 10B | 62 BPM | ||
Polonaise in F Minor | Anna Lipiak | D Minor | 2 | 7A | 147 BPM | ||
The Prague Carnival. Introduction and Polonaise | Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner | A Major | 3 | 11B | 69 BPM | ||
I Miss You Sometimes | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
Pelléas et Mélisande, Op. 80 - Orchestral suite, 1898. Orch. by Fauré after the stage work.: Molto Adagio | Gabriel Fauré, Orchestre de la Suisse Romande, Ernest Ansermet | D Major | 1 | 10B | 94 BPM | ||
18 German Dances & Ecossaises, Op. 33, D. 783: No. 3, Tanz III - No. 4, Tanz IV - No. 5, Tanz V (Arr. for Orchestra by Johann Ritter von Herbeck) | Franz Schubert, Munich Radio Orchestra, Oscar Jockel | D Major | 0 | 10B | 91 BPM | ||
Sorochinsky Fair: Gopak | David Measham, West Australian Symphony Orchestra | G Major | 2 | 9B | 116 BPM |
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