Frédéric Chopin, Maurizio Pollini's '24 Préludes, Op. 28: 4. In E Minor' came out on 1980. The duration of 24 Préludes, Op. 28: 4. In E Minor is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 24 Préludes, Op. 28: 4. In E Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 24 in Chopin: Preludes Op.28 by Frédéric Chopin, Maurizio Pollini. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 24 Préludes, Op. 28: 4. In E Minor's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of 24 Préludes, Op. 28: 4. In E Minor by Frédéric Chopin, Maurizio Pollini is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Alice Sara Ott | D♭ Minor | 0 | 12A | 168 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 127 BPM | ||
Les tendres plaintes--Rondeau, RCT 3/1 | Jean-Philippe Rameau, Bruce Liu | D♭ Major | 2 | 3B | 77 BPM | ||
Mazurka Op. 67 No. 2 For Piano | Arthur Rubinstein | B♭ Major | 2 | 6B | 51 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | E Major | 0 | 12B | 75 BPM | ||
Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM |
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