"Five Preludes: No. 1 in E Minor, Andantino espressivo" by Heitor Villa-Lobos, Sonja Prunnbauer was released on January 1, 2009. With this song being about 5 minutes long, at 5:10, "Five Preludes: No. 1 in E Minor, Andantino espressivo" by Heitor Villa-Lobos, Sonja Prunnbauer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Villa-Lobos: Orchestral Works by Various Artists. The song's track number on the album is #1 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Five Preludes: No. 1 in E Minor, Andantino espressivo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Five Preludes: No. 1 in E Minor, Andantino espressivo by Heitor Villa-Lobos, Sonja Prunnbauer has a tempo of 174 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Five Preludes: No. 1 in E Minor, Andantino espressivo being at 174 BPM, the half-time would be 87 BPM with a double-time of 348 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Ballades, Op. 10: No. 4 In B | Johannes Brahms, Arturo Benedetti Michelangeli | B Major | 0 | 1B | 74 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar) | Claude Debussy, Paul Galbraith | G Major | 0 | 9B | 92 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Bachianas brasileiras No. 8: IV. Fuga | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Minor | 3 | 5A | 65 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |
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