Amadeo Vives, Guillermo Perrin, Miguel de Palacios, Gran Orquesta Sinfonica, Ataúlfo Argenta's 'Bohemios: Intermedio' came out on May 15, 2006. Bohemios: Intermedio is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Amadeo Vives, Miguel de Palacios, Guillermo Perrin, Various Artists, Ataúlfo Argenta, Julian Perera, Jose Perera, Gran Orquesta Sinfonica's "La Zarzuela: Bohemios" album is number 5 out of 6. Based on our statistics, Bohemios: Intermedio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bohemios: Intermedio by Amadeo Vives, Guillermo Perrin, Miguel de Palacios, Gran Orquesta Sinfonica, Ataúlfo Argenta to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alli la Tienes | Amadeo Vivos, Amadeo Vives | G Major | 5 | 9B | 174 BPM | ||
Primer Acte: Duet Canta-li sa Lliçó Clara | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 1 | 7B | 101 BPM | ||
The Originals | Amadeo Vivos, Amadeo Vives | C Major | 1 | 8B | 68 BPM | ||
The Auditions | Kerry Muzzey, Dániel Dinyés, Budapest Art Orchestra | C Major | 4 | 8B | 86 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Maruxa: "¡Por Dios, Señorita!..." | Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid | B♭ Major | 3 | 6B | 75 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio" (Lucia, Alisa) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | F♯ Major | 1 | 2B | 77 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Doña Francisquita: Poe el humo se sabe (Live) [Remastered 2022] | Amadeo Vives, Pedro Lavirgen | E♭ Major | 3 | 5B | 86 BPM | ||
Luisa Fernanda, Acto iii: Romanza de Vidal y coro de vareadores | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A♭ Major | 2 | 4B | 101 BPM |
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