Jean-Henri d'Anglebert, Céline Frisch made "Suite in G Major: I. Prélude" available on 2004. The duration of Suite in G Major: I. Prélude is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Suite in G Major: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 43 in d'Anglebert: Pièces de clavecin & airs d'après M. de Lully by Céline Frisch, Café Zimmermann. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Suite in G Major: I. Prélude is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite in G Major: I. Prélude by Jean-Henri d'Anglebert, Céline Frisch is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Baryton Trio in A Major, Hob. XI:71: III. Finale. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Sonata in G Major for Two Flutes and Basso Continuo, RV 80: II. Larghetto | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian, Stefania Marusi | E♭ Minor | 0 | 2A | 114 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734): No. 1, Violin Sonata in A Major, B.A14 / GT 2.A14: I. Grave | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Aria Amorosa | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Des Pièces de Claveçin, Livre premier: Prélude en Ré Mineur | Anglebert, Jean-Henri d'Anglebert, Andreas Staier | C Minor | 0 | 5A | 67 BPM | ||
Pièces de clavessin en manuscrits: Sarabande ("Double" d'une pièce de Germain Pinel) | Germain Pinel, Jean-Henri d'Anglebert, Paola Erdas | B♭ Major | 4 | 6B | 89 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | N/A | N/A | N/A | 0 BPM | ||
Trio Sonata in D Minor, Op. 4, No. 1: IV. Allegro | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM |
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