Charles Strouse, Keith Curran, Douglas Bernstein, Lenny Wolpe, Marlon J. Caffey, Nancy Giles, Ken Jennings, Ilene Kristen, Kathryn McAteer, New York Music Company, Michael Kosarin made "Mayor: Act I: You Can Be a New Yorker Too!" available on August 1, 2014. The duration of Mayor: Act I: You Can Be a New Yorker Too! is about 3 minutes long, at 3:06. Based on our data, "Mayor: Act I: You Can Be a New Yorker Too!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Charles Strouse, Various Artists, Michael Kosarin's "Mayor (The Original Cast Album)" album is number 3 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Mayor: Act I: You Can Be a New Yorker Too!'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mayor: Act I: You Can Be a New Yorker Too! by Charles Strouse, Keith Curran, Douglas Bernstein, Lenny Wolpe, Marlon J. Caffey, Nancy Giles, Ken Jennings, Ilene Kristen, Kathryn McAteer, New York Music Company, Michael Kosarin to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serious | Laura Bell Bundy, Richard H. Blake | D♭ Major | 3 | 3B | 114 BPM | ||
The Song That Goes Like This - Original Broadway Cast Recording: "Spamalot" | Christopher Sieber, Sara Ramirez | F Major | 7 | 7B | 181 BPM | ||
As Long As He Needs Me | Sally Dexter | E Major | 0 | 12B | 125 BPM | ||
Sixteen Going On Seventeen | Dan Truhitte, Charmian Carr | E♭ Major | 2 | 5B | 133 BPM | ||
Willy Wonka! Willy Wonka! | Jake Ryan Flynn, Charlie and the Chocolate Factory Broadway Ensemble | B Major | 4 | 1B | 104 BPM | ||
Welcome to the Renaissance | Michael James Scott, 'Something Rotten' Ensemble | C Major | 6 | 8B | 131 BPM | ||
The Rhythm Of Life | Christina Applegate, Denis O'Hare | F Major | 5 | 7B | 170 BPM | ||
Always Look On The Bright Side Of Life - Original Broadway Cast Recording: "Spamalot" | Michael McGrath, Tim Curry, Ensemble | F♯ Minor | 5 | 11A | 130 BPM | ||
Cell Block Tango | Michael Berresse, Bebe Neuwirth | F Major | 3 | 7B | 137 BPM | ||
Make Them Hear You | Brian Stokes Mitchell, Duane Martin Foster, Original Broadway Cast of Ragtime: The Musical | E Major | 4 | 12B | 88 BPM |
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