Georges Bizet, Henri Meilhac, Ludovic Halévy, Teddy Tahu Rhodes, Cantillation, Antony Walker, Jenny Duck-Chong, Sally-Anne Russell, Alison Morgan, Sinfonia Australis made "Carmen, WD 31, Act 2: "Votre toast, je peux vous le rendre...Toréador, en garde"" available on August 21, 2015. The duration of Carmen, WD 31, Act 2: "Votre toast, je peux vous le rendre...Toréador, en garde" is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Carmen, WD 31, Act 2: "Votre toast, je peux vous le rendre...Toréador, en garde"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 14 in From Broadway to La Scala by Various Artists. In terms of popularity, Carmen, WD 31, Act 2: "Votre toast, je peux vous le rendre...Toréador, en garde" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen, WD 31, Act 2: "Votre toast, je peux vous le rendre...Toréador, en garde" by Georges Bizet, Henri Meilhac, Ludovic Halévy, Teddy Tahu Rhodes, Cantillation, Antony Walker, Jenny Duck-Chong, Sally-Anne Russell, Alison Morgan, Sinfonia Australis is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Le docteur Miracle: Scene 2: Romance: Me gronder pour cela (Laurette) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | E♭ Major | 0 | 5B | 130 BPM |
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