Aria "Gedenke doch, mein Geist, zurücke", BWV 509 (Notebook for Anna Magdalena Bach, 1725) - Johann Sebastian Bach, Daniil Trifonov Information

Acousticness: 100%
Danceability: 22%
Energy: 5%
Instrumentalness: 86%
Liveness: 15%
Loudness: 49%
Speechiness: 5%
Valence: 50%
Popularity: 26%
Loudness: -30.591 dB

Summary

Johann Sebastian Bach, Daniil Trifonov made "Aria "Gedenke doch, mein Geist, zurücke", BWV 509 (Notebook for Anna Magdalena Bach, 1725)" available on February 11, 2022. With Aria "Gedenke doch, mein Geist, zurücke", BWV 509 (Notebook for Anna Magdalena Bach, 1725) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 25 out of 58 in BACH: The Art of Life (Encore Edition) by Daniil Trifonov, Johann Christoph Friedrich Bach, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Aria "Gedenke doch, mein Geist, zurücke", BWV 509 (Notebook for Anna Magdalena Bach, 1725) is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Aria "Gedenke doch, mein Geist, zurücke", BWV 509 (Notebook for Anna Magdalena Bach, 1725) BPM

The tempo marking of Aria "Gedenke doch, mein Geist, zurücke", BWV 509 (Notebook for Anna Magdalena Bach, 1725) by Johann Sebastian Bach, Daniil Trifonov is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Aria "Gedenke doch, mein Geist, zurücke", BWV 509 (Notebook for Anna Magdalena Bach, 1725) Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite in G minor: IV. Bourree II (Arr. A. Camden)	George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward	C Minor	1	5A	114 BPM
Concerto in D Minor for Two Violins, BWV 1043: Vivace	Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent	A Minor	2	8A	94 BPM
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato	Bedřich Smetana, Jitka Čechová	A Minor	0	8A	66 BPM
Fantasia And Fugue In A Minor, BWV 904 : Fugue	Janos Sebestyen, Johann Sebastian Bach	A Minor	3	8A	132 BPM
Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibt meine Freude (Chorus)	Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal	G Major	1	9B	66 BPM
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato	George Frideric Handel, The English Concert, Trevor Pinnock	D♭ Minor	0	12A	106 BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen	Robert Schumann, Martha Argerich	G Major	0	9B	128 BPM
Suite From Abdelzar: I. Rondeau	Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon	D♭ Minor	1	12A	101 BPM
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645)	Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz	E♭ Major	0	5B	110 BPM
Cello Suite No. 6 in D Major, BWV 1012: III. Courante	Johann Sebastian Bach, Yo-Yo Ma	D Major	1	10B	118 BPM

ISRC: DEN962131725
Label: L-M Records/RCA Records

Section: 0.6415314674377441

End: 0.6455874443054199