"Funeral Sentences for the death of Queen Mary II (1695): Anthem: "Thou Knowest Lord, the Secrets of Our Hearts"" by Henry Purcell, The London Gabrieli Brass Ensemble, The London Gabrieli Chorus, Mark Brown was released on January 1, 1982. The duration of Funeral Sentences for the death of Queen Mary II (1695): Anthem: "Thou Knowest Lord, the Secrets of Our Hearts" is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Funeral Sentences for the death of Queen Mary II (1695): Anthem: "Thou Knowest Lord, the Secrets of Our Hearts"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "The Baroque Brass Collection". In this album, this song's track order is #40. In terms of popularity, Funeral Sentences for the death of Queen Mary II (1695): Anthem: "Thou Knowest Lord, the Secrets of Our Hearts" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Funeral Sentences for the death of Queen Mary II (1695): Anthem: "Thou Knowest Lord, the Secrets of Our Hearts" by Henry Purcell, The London Gabrieli Brass Ensemble, The London Gabrieli Chorus, Mark Brown having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Dido and Aeneas / Act 2: Prelude for the Witches - "Wayward Sisters" | Henry Purcell, David Thomas, Elisabeth Priday, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 122 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Membra Jesu nostri, BuxWV 75: Ib. Ad pedes: Salve mundi salutare | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Trumpet Tune | Bertalan Hock, György Geiger, Henry Purcell | D Major | 2 | 10B | 101 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM |
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