Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger made "Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet II" available on April 15, 1989. The duration of Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet II is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Telemann: Recorder Suite in A minor - Viola Concerto - Tafelmusik: 2 Concerti". In this album, this song's track order is #9. Based on our statistics, Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet II's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet II by Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Concerto for Oboe d'amore, Strings and Continuo in A: 3. Allegro | Antonio Lotti, Heinz Holliger, I Musici | A Major | 1 | 11B | 108 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: III. Presto | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 3 | 12A | 111 BPM | ||
Suite from Dardanus: Le Monstre sortant des flots | Jean-Philippe Rameau, Nicholas McGegan, Philharmonia Baroque Orchestra | A Major | 4 | 11B | 111 BPM | ||
Horn Concerto No. 1 in D Major, Hob. VIId:3: II. Adagio | Franz Joseph Haydn, Felix Klieser, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian | A Major | 0 | 11B | 119 BPM | ||
Telemann: Concerto for Recorder and Flute in E Minor, TWV 52:e1: II. Allegro | Georg Philipp Telemann, Frans Brüggen, André Rieu, Franz Vester, Gustav Leonhardt, Paul Doctor, Chamber Orchestra of Amsterdam, Concerto Amsterdam, Südwestdeutsches Kammerorchester, & Friedrich Tilegant, Franz Vester, Gustav Leonhardt, André Rieu, Concertgebouw Chamber Orchestra | E Minor | 3 | 9A | 126 BPM | ||
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 5. Vivace | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 3 | 10B | 110 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: I. Allegro | Pietro Locatelli, Capella Istropolitana | D Major | 3 | 10B | 136 BPM | ||
Flute Concerto No. 1 in G Major: III. Allegro spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | G Major | 2 | 9B | 117 BPM |
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