End Credits - Harry Escott Information

Acousticness
100%
Danceability
40%
Energy
0%
Instrumentalness
89%
Liveness
9%
Loudness
46%
Speechiness
8%
Valence
23%
Popularity
Loudness
-32.314 dB

Summary

Harry Escott's 'End Credits' came out on December 5, 2011. With End Credits being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Shame". In this album, this song's track order is #15. Based on our statistics, End Credits's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

End Credits BPM

With End Credits by Harry Escott having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

End Credits Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Precious to Me by Rael Jones, Anthony WeedenPrecious to MeRael Jones, Anthony WeedenE Minor19A80 BPM
Brideshead Revisited: No. 24, Always Summer by Adrian Johnston, Terry Davies, BBC PhilharmonicBrideshead Revisited: No. 24, Always SummerAdrian Johnston, Terry Davies, BBC PhilharmonicB♭ Major16B78 BPM
The Visitor Overture by Jan A.P. KaczmarekThe Visitor OvertureJan A.P. KaczmarekC Minor15A48 BPM
Crime Scene by Emilio Kauderer & Federico JusidCrime SceneEmilio Kauderer & Federico JusidD Minor17A70 BPM
Written In Stone by Ólafur Arnalds, Alice Sara OttWritten In StoneÓlafur Arnalds, Alice Sara OttE Minor29A82 BPM
Birth by Tatiana LisovskayaBirthTatiana LisovskayaF♯ Major02B134 BPM
Solveig's Song from Peer Gynt Suite No. 2, Op. 55 by BBC Scottish Symphony OrchestraSolveig's Song from Peer Gynt Suite No. 2, Op. 55BBC Scottish Symphony OrchestraA Minor28A75 BPM
The Hunter by Matteo Zingales, Michael Lira, Andrew LancasterThe HunterMatteo Zingales, Michael Lira, Andrew LancasterF♯ Minor111A142 BPM
Simple by Danny ElfmanSimpleDanny ElfmanC Major08B75 BPM
For the World by Tan Dun, Itzhak Perlman, China Philharmonic OrchestraFor the WorldTan Dun, Itzhak Perlman, China Philharmonic OrchestraA Minor18A122 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5074779987335205

End: 0.513408899307251