"Colascione Partita III: II. Adagio" by Giuseppe Antonio Brescianello, Andrea Belmonte was released on February 26, 2021. The duration of Colascione Partita III: II. Adagio is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Colascione Partita III: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vocal Cords by Andrea Belmonte. The song's track number on the album is #1 out of 18 tracks. Based on our statistics, Colascione Partita III: II. Adagio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Colascione Partita III: II. Adagio by Giuseppe Antonio Brescianello, Andrea Belmonte has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Colascione Partita III: II. Adagio being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto | Antonio Vivaldi, Anima Musicæ Chamber Orchestra | F Minor | 1 | 4A | 171 BPM | ||
Telemann: Tafelmusik, Pt. 3, Ouverture-Suite in B-Flat Major, TWV 55:B1: I. Ouverture. Lentement - Presto | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 130 BPM | ||
Concerto Grosso in E-Flat Major, Op. 7 No. 6 "Il Pianto d'Arianna": IV. Grave | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | D Major | 1 | 10B | 134 BPM | ||
Symphony No. 27 in G Minor: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 1 | 11B | 68 BPM | ||
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: IV. Menuet | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
6 Sonatas, ZWV 81, No. 6 in C Minor: II. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | A♭ Major | 2 | 4B | 101 BPM | ||
Concerto a più istrumenti in D Major, Op. 5, No. 6: III. Ciaconna (Transcr. for Solo Violin and Chamber Orchestra) | Evaristo Felice Dall'Abaco, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: III. Allegro assai | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Recorder Concerto No. 9 in A Minor: III. Fuga | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 2 | 1A | 117 BPM |
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